The moon rose so fast,
I felt the world tilt,
like my mother’s Shaker settle,
not pegged down. Up ended.
Her flow blue tea set
sliding onto the floor,
shattered.
Tessie, the mare herself,
the color of a harvest moon,
her hindquarters as big,
as round as the harvest,
pulled stalks out of her hay bag,
Her chewing steady, alive.
So I walked outside and watched.
It was Joel’s moon, the one
that will turn to blood
with a blackened sun,
before “the great and dreadful” Lord’s day,
a living red, a living light, like the sunset
that found her way into the barn,
peeking through a crack in the door,
a door I hope to open,
for Tessie to walk through
when the wind blows hard from the east
and I need to shut the door by her stall,
shut out the wind,
let her eat her hay in peace
without being badgered by the wind
and the cold and the wet.
I walked outside and leaned on the fence
looking for Bruce. The living blood
pooled behind Mr. Peterson’s barns and trees.
The world tipped up, tipped up.
Bruce out walking the dogs when I do chores.
I looked for him, only saw porch lights
through the corn crib slats.
I called, “Bruce. Come look.”
I turned back to the moon,
not quite clear of the horizon.
Then Bruce and the dogs straining
at the end of their leads.
“Look to the west! Look to the west!”
I shouted a liturgy.
He looked toward the sunset into the darkness
and a few jets angling towards O’hare.
The moon popped off the horizon. Deformed.
–the scary lopsided moon
that feels ominous, always.
“It’s in the east,” he said.
And the ground slipped under my feet.
I was glad to be holding the fence.
My mind is gone
like the beloved dogs and cat buried
by the raspberry bushes,
and the other dogs sitting in cans in the closet.
With my mother and father and brother,
my memories are as far gone as the sun.
“Look to the west. Look to the west”
because that’s where the legends
say the dead have traveled
and the poets sing about the wild west wind,
whirling leaves and bitter loss.
Bruce and I joked about it later.
Katie, your writing takes my breath away. Absolutely beautiful.
Thank you so much. Your poems are also exquisite. Thank you for stopping by too.
Katie:
Beautiful poem – with many layers of meaning. I know last week – my oldest son noticed the large full moon so close to the horizon. I didn’t manage to see it at that time – but it could have been the same day as you were inspired to write this poem.
– Wilma
It was pretty spectacular coming up off the horizon. Thank you for stopping by and for your support…Good to hear your voice.
Katie, what a beautiful poem full of suspense!
Thank you so very much. It just came to mind and I figured, ah ha I could make this my this week’s blog post!
Just wow, Katie. I think the best poem of yours I’ve read… startling juxtapositions, profound paradoxes, deep meanings of everyday things alluding to something else, and yet graspable today. Beautifully, poetically rendered.
I love Gerard Manley Hopkins’s line about the East . . . the crimson-cresseted East.
Thank you for being a faithful poet. Thank you for having eyes to see.
Love
Lynn
Oh Lynn, Thank you so much. This was magic to write. I wrote a draft during Leslie Leyland Field’s lecture on what makes creative nonfiction. I was struck by the clarity of memory in one of the manuscripts, and how I don’t have that clarity. Then the moon rise was on mind, so I sat down and listened to what was there…Thank you for your support.
Love this! What a delightful poem! 🙂
Thank you so much!
Thank you so very much.